Book description
Jane’s whole world is overturned at her eighteenth birthday party. She
flees from home, disorientated, and finds refuge with Christopher, a
stained-glass artist more than forty years her senior who is working on
a Resurrection window. As the window takes shape, Jane tries to rebuild
her own life, examining the beliefs of all those she meets - chaotic
cosy Isobel, whose motherly exterior conceals a girlhood tragedy;
wealthy, tormented Adrian, who uses his private chapel as a
leisure-centre and sees God as Chairman of the Board; Hadley, who
believes in melting down stained class to make soup for London’s tramps;
Christopher himself, selfish and charismatic, the promiscuous
philosopher whose art is his religion, and who regards sex as a ‘taste
of the immortal’.
To escape her own confusion, Jane travels to Chartres, where,
surrounded by the glory of thirteenth-centry glass, she has an
extraordinary experience which leads on to her ‘rebirth’ back at home,
and to another, longer journey in search of her true self.
In this powerful new novel, Perriam examines adult values through the
eyes of a young girl, who comes to realise the necessity of lying in a
world built on deception, where violence is a fact of life, and sex is
far removed from both the romance of Hollywood and the frisky coupling
of the sex-manuals.
Bird Inside
is a novel as brilliant, as inspiring, as the stained glass which forms
its subject. Whilst investigating the themes of darkness and
enlightenment, it is still as humorous and sensual as Wendy Perriam’s
readers have come to expect.
‘A magnificently orchestrated orgy in which her potent blend of sex,
religion and humour takes the reader on a spiritual odyssey from the
sold rocks of safety to the wilder shores of fantasy.’ Time Out
Wendy Perriam has been writing since the age of five, completing her
first ‘novel’ at eleven. Expelled from boarding school for heresy and
told she was in Satan’s power, she escaped to Oxford, where she read
History and also trod the boards. After a variety of offbeat jobs,
ranging from artist’s model to carnation-disbudder, she now divides her
time between teaching and writing. Having begun by writing poetry, she
went on to publish 16 novels and 7 short-story collections, acclaimed
for their power to disturb, divert and shock. She has also written
extensively for newspapers and magazines, and was a regular contributor
to radio programmes such as Stop the Week
and Fourth Column
.
Perriam feels that her many conflicting life experiences - strict
convent-school discipline and swinging-sixties wildness, marriage and
divorce, infertility and motherhood, 9-to-5 conformity and periodic
Bedlam - have helped shape her as a writer. ‘Writing allows for
shadow-selves. I’m both the staid conformist matron and the slag; the
well-organised author toiling at her desk and the madwoman shrieking in
a straitjacket.’
