Book description
When James Matthew Barrie died, in 1937, his funeral was an occasion
for national mourning. Crowds gathered; reporters and newsreel men
came to record the day, and many well-known figures followed the
coffin to its resting place in the little churchyard up on the hill.
In London, a month later at St Paul's Cathedral a memorial service was
held for the Scottish weaver's son who died Britain's playwright extraordinaire.
A succession of novels and long-running plays had brought Barrie
enormous wealth, critical acclaim, an hereditary Baronetcy and the
Order of Merit. His public following extended to Hollywood where his
work was performed by the stars of the silver screen. Unhappily such
achievements did little to ameliorate the strains in Barrie's private
life. Hampered by a stigmatising divorce, he was also struck by a
series of tragic bereavements from which he never fully recovered. At
the same time as savouring his public image, Barrie gave no more than
a handful of interviews. During his lifetime this inscrutable,
enigmatic man succeeded in his desire to remain only partially known.
Barrie was already famous for sophisticated political satires and
social comedies when, with the creation of Peter Pan, his
immense artistic gift was displayed at its extraordinary best. In the
play, where 'All children except one grow up', Barrie had touched on a
universal nerve, the problem of growing up. With Peter
Pan he created one of the greatest twentieth-century myths and a
work of art quite unlike anything that had gone before. It became a
part of the common culture of the Western world, and is as relevant
today as on that first performance one hundred years ago.
Lisa Chaney has lectured and tutored in the history of art and
literature, made TV and radio broadcasts on the history of culture, and
reviewed and written for journals and newspapers, including the
Sunday Times
,
The Spectator
and the
Guardian
. Her biography of Elizabeth David was published in 1998 to critical
acclaim.
