Book description
Towards the end of his life Titian didn t finish his paintings. The 87
year-old artist kept them in his studio, never quite completing them, as
though wanting to endlessly postpone the moment of closure. Created with
the fingers as much as the brush, Titian s last paintings are imbued
with a sense of final, desperate effort a rawness and immediacy that
weren t to be seen again in art for centuries. But what did Titian, who
experienced as much in the way of material success as any artist before
or since, mean by these works? Are they a harrowing, final testament or
simply a collection of unfinished paintings? In the outbreak of plague
that finally killed him, Titian s studio was looted, and many paintings
taken. What happened to them is not known. This book is a quest a
journey through Titian s life and work, towards the physical and
spiritual landscape of his last paintings. Looking at Titian s
relationships with his artistic rivals, his patrons including popes,
kings and emperors and his troubled dealings with his own family, the
narrative moves from the artist s home town in the Dolomites to the
greatest churches and palaces of the age. Parallel with these physical
travels is a journey through the paintings, following the glittering
trajectory of Titian s life and career, the remorseless formal
development that led to the breakthroughs of his last days. Titian: The
Last Days is an exploratory history of the artist and his world that
vividly recreates the atmosphere of sixteenth century Venice and Europe,
a narrative in which the search for the subject becomes part of the
subject itself. The result is a brilliant and compelling study of one of
Europe s greatest artists that is at once passionate, engaging and
deeply personal. Towards the end of his life Titian didn t finish his
paintings. The 87 year-old artist kept them in his studio, never quite
completing them, as though wanting to endlessly postpone the moment of
closure. Created with the fingers as much as the brush, Titian s last
paintings are imbued with a sense of final, desperate effort a rawness
and immediacy that weren t to be seen again in art for centuries. But
what did Titian, who experienced as much in the way of material success
as any artist before or since, mean by these works? Are they a
harrowing, final testament or simply a collection of unfinished
paintings? In the outbreak of plague that finally killed him, Titian s
studio was looted, and many paintings taken. What happened to them is
not known. This book is a quest a journey through Titian s life and
work, towards the physical and spiritual landscape of his last
paintings. Looking at Titian s relationships with his artistic rivals,
his patrons including popes, kings and emperors and his troubled
dealings with his own family, the narrative moves from the artist s home
town in the Dolomites to the greatest churches and palaces of the age.
Parallel with these physical travels is a journey through the paintings,
following the glittering trajectory of Titian s life and career, the
remorseless formal development that led to the breakthroughs of his last
days. Titian: The Last Days is an exploratory history of the artist and
his world that vividly recreates the atmosphere of sixteenth century
Venice and Europe, a narrative in which the search for the subject
becomes part of the subject itself. The result is a brilliant and
compelling study of one of Europe s greatest artists that is at once
passionate, engaging and deeply personal.
