Book description
In this captivating sequel to his award-winning Rider, Mark Rudman
reclaims a sacred space for poetry. The Millennium Hotel is a world of
dazzling imitations, a vast casino where personal narrative is
recognized as a fiction and death always holds the winning hand. Rudman
asks, "How not to be seduced by the new?" as he illustrates
the intimate ways in which facade, gender, and memory inform both our
private and public realms.
Here the interlocutor's voice shifts and freely crosses gender lines,
especially in poems about early erotic experience. Mothers, daughters,
lovers, and wives are passionately engaged. Its inclusiveness and wide
range of tonal registers enable The Millennium Hotel to blend seamlessly
the intimate, the social, the comic, and the apocalyptic. The book moves
like a series of sonatas, melding childhood, the diaspora, and eros.
MARK RUDMAN is Adjunct Professor at NYU and has recently received
fellowships from the NEA and the Guggenheim Foundation. His books
include two published by Wesleyan: Realm of Unknowing (1995) and Rider,
which won the 1994 National Book Critics Circle Award for Poetry.
