Book description
Electric Light travels widely in time and space, visiting the sites
of the classical world, revisiting the poet's childhood: rural
electrification and the light of ancient evenings are reconciled
within the orbit of a single lifetime. This is a book about origins
(not least the origins of words) and oracles: the places where things
start from, the ground of understanding - whether in Arcadia or
Anahorish, the sanctuary at Epidaurus or the Bann valley in County
Derry. Electric Light ranges from short takes ('glosses') to
conversation poems whose cunning passagework gives rein to 'the must
and drift of talk'; other poems are arranged in sections, their
separate cargoes docked alongside each other to reveal a hidden and
curative connection. The presocratic wisdom that everything flows is
held in tension with the fixities of remembrance: elegising friends
and fellow poets, naming 'the real names' of contemporaries behind the
Shakespearean roles they played at school. These gifts of recollection
renew the poet's calling to assign to things their proper names. The
resulting poems are full of delicately prescriptive tonalities, where
Heaney can be heard extending his word-hoard and rollcall in this, his
eleventh collection.
Seamus Heaney was born in County Derry in Northern Ireland. Death of
a Naturalist, his first collection of poems, appeared in 1966 and since
then he has published poetry, criticism and translations - including
Beowulf (1999) - which have established him as one of the leading poets
now at work. In 1995 he was awarded the Nobel Prize in Literature.
District and Circle (2006) was awarded the T. S. Eliot Prize in 2006.
Stepping Stones, a book of interviews conducted by Dennis O'Driscoll,
appeared in 2008. In 2009 he received the David Cohen Prize for
Literature.