Book description
This is a chapter taken from Alex Ross's groundbreaking history of
twentieth-century classical music, The Rest is Noise.
With some of Europe's greatest composers fleeing persecution under
Stalin and Hitler, the USA in the 1940s became a place of refuge and of
fresh creativity, both native and immigrant. At the same time, a newly
democratic spirit meant that what had once been the preserve of the
elite increasingly came within reach of the masses.
Now a major festival running throughout 2013 at London's Southbank, The
Rest is Noise is an intricate commentary not just on the sounds that
defined the century, but on art's troublesome dance with politics,
social and cultural change.
Alex Ross is the New Yorker's music critic, and the winner of the
Guardian First Book Award and the National Book Critics Circle Award for
The Rest is Noise, which was also shortlisted for the Samuel Johnson and
Pulitzer prizes for non-fiction. 'Alex Ross's incredibly nourishing
book will rekindle anyone's fire for music.' Björk
'A brilliant, bracing account of all the different kinds of “classical”
music that have permeated this last dark century. Such an entertaining,
accessible and enthralling book.' Colin Greenwood, Guardian
'It's a history of 20th-century music so vivid and original in approach
that it made me listen again to many pieces I thought I knew well.'
Philip Pullman, Guardian
'Ranks as my non-fiction book of the year. Erudite and engaging,
written with flair and passion.' Boyd Tonkin, Independent
'Combines scrupulous and inventive analyses of the 20th century's music
with lavish care over that music's improvised history.' Adam Thirlwell, Guardian
'Magisterial.' Telegraph
'He places the music in social and cultural context while sticking to
the score and eschewing the artworld political consensus. A miracle.'
George Walden, TLS
'”The Rest is Noise” achieves the aim with bravura, hacking out a path
leading from cacophonous European modernism to the white noise of The
Velvet Underground.' Ludovic Hunter-Tilroy, Financial Times
'Alex Ross breaks new ground. This is an astonishing book.' The Times
'Just occasionally someone writes a book you've waited your life to
read. Alex Ross's enthralling history of 20th-century music is, for me,
one of those books.' Alan Rusbridger, Guardian
'Stunning narrative. Visionary music critic Alex Ross comes closer than
anyone to describing the spellbinding sensations music provokes.'
Financial Times
'A work of immense scope and ambition … a great achievement. Rilke once
wrote of how he learned to stand “more seeingly” in front of certain
paintings. Ross enables us to listen more hearingly.' New York Times
'A sound-drenched masterpiece.' Steven Poole, Guardian Alex Ross has
been the music critic of the 'New Yorker' since 1996. From 1992 to 1996
he wrote for the 'New York Times'. His first book, 'The Rest is Noise:
Listening to the Twentieth Century', published in 2007, was awarded the
Guardian First Book Award and was shortlisted for the Pulitzer and
Samuel Johnson prizes. In 2008 he became a MacArthur Fellow. A native of
Washington, DC, he now lives in Manhattan.
