Book description
The inspiration behind the South Bank Centre's year-long festival of
20th century music, Alex Ross's masterpiece is a sweeping musical
history from pre-war Vienna to the Velvet Underground.
The landscape of twentieth-century classical music is a wild one: this
was a period in which music fragmented into apparently divergent
strands, each influenced by its own composers, performers and musical
innovations. In this comprehensive tour, Alex Ross, music critic for the
'New Yorker', explores the people and places that shaped musical
development: Adams to Zweig, Brahms to Björk, pre-First World War Vienna
to 'Nixon in China'.
Winner of the Guardian First Book Award, this unique portrait of an
exceptional era weaves together art, politics and cultural history to
show how twentieth-century classical music was both a symptom and a
source of immense social change. 'Alex Ross's incredibly nourishing
book will rekindle anyone's fire for music.' Björk
'A brilliant, bracing account of all the different kinds of “classical”
music that have permeated this last dark century. Such an entertaining,
accessible and enthralling book.' Colin Greenwood, Guardian
'It's a history of 20th-century music so vivid and original in approach
that it made me listen again to many pieces I thought I knew well.'
Philip Pullman, Guardian
'Ranks as my non-fiction book of the year. Erudite and engaging,
written with flair and passion.' Boyd Tonkin, Independent
'Combines scrupulous and inventive analyses of the 20th century's music
with lavish care over that music's improvised history.' Adam Thirlwell, Guardian
'Magisterial.' Telegraph
'He places the music in social and cultural context while sticking to
the score and eschewing the artworld political consensus. A miracle.'
George Walden, TLS
'”The Rest is Noise” achieves the aim with bravura, hacking out a path
leading from cacophonous European modernism to the white noise of The
Velvet Underground.' Ludovic Hunter-Tilroy, Financial Times
'Alex Ross breaks new ground. This is an astonishing book.' The Times
'Just occasionally someone writes a book you've waited your life to
read. Alex Ross's enthralling history of 20th-century music is, for me,
one of those books.' Alan Rusbridger, Guardian
'Stunning narrative. Visionary music critic Alex Ross comes closer than
anyone to describing the spellbinding sensations music provokes.'
Financial Times
'A work of immense scope and ambition … a great achievement. Rilke once
wrote of how he learned to stand “more seeingly” in front of certain
paintings. Ross enables us to listen more hearingly.' New York Times
'A sound-drenched masterpiece.' Steven Poole, Guardian Alex Ross has
been the music critic of the 'New Yorker' since 1996. From 1992 to 1996
he wrote for the 'New York Times'. His first book, 'The Rest is Noise:
Listening to the Twentieth Century', published in 2007, was awarded the
Guardian First Book Award and was shortlisted for the Pulitzer and
Samuel Johnson prizes. In 2008 he became a MacArthur Fellow. A native of
Washington, DC, he now lives in Manhattan.
